Here’s an interesting fact about the DC universe that you may not know: It features not one, not two, but three prominent super intelligent Gorilla villains in its universe. I have no idea why this is the case, but I’ve always thought it was interesting. Another weird aspect of this is how different they all are. Ya, they’re all evil genius gorillas obviously, but their inceptions and backstories are very distinct. These 3 apes all developed independently of each other from different writers, which makes it extra strange that separate DC writers kept going to this “brilliant ape” well. Gorilla Grodd, Monsieur Mallah and the Ultra-Humanite are big hairy apes who can kill you with their bare hands or some elaborate death trap. Here’s some basic things about them.
Continue reading “DC’s Weird Obsession With Hyper-Intelligent Gorillas”
There are many, many reasons to dislike Zack Snyder’s awkwardly named Batman v. Superman: Dawn of Justice. A miscast villain here, a forced Justice League tie-in there, and a confused attempt to mash the stories of The Dark Knight Returns and The Death of Superman together ruin what should have been a slam-dunk of a movie. There are a ton of weird choices that went into making this the disaster that it is, but the most alarming to me has to be the way Batman was characterized in this film. Ben Affleck gave a fine performance as Batman, but the central issue with his character all comes back to his hotly debated “no killing rule” that gets more than a little bent in this film, and more critically, entirely ignored. Fans have debated whether or not Batman should even have such a rule for years, “The Rule” has served as a central plot point in both The Dark Knight and Under the Red Hood films, and Batman himself exists as likely the most iconic practitioner of this rule in fiction. My issue with Snyder’s Batman isn’t that he kills criminals (directly and indirectly) with sadistic glee, but that it happens without any discussion within the film for what that means for Batman. I know the last thing this film needs is more pseudo-philosophical drivel shakingly spoken by insecure meat heads, but in this case it’s kind of an important thing to get out of the way.
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I should probably clear up the fact that, yes, the phrase “triple standards” isn’t a thing; however, that doesn’t mean that it isn’t the best way to describe the situation we find ourselves in with race and casting in Hollywood. Casting the right actors for movies (and superhero ones in particular) is arguably the most important part about making one. Who you cast seriously affects the box-office turnout, the strength of your film, and its critical reception. There is a lot that goes into picking who should star in your movie because that process alone will mean the difference between success and failure. Thanks to the potential for prestige and adoration enjoyed by many prominent actors (and perhaps a genuine passion for the craft), there is a huge number of people aspiring for roles in films; all of which coming from wildly different backgrounds, but the unfortunate reality is that while many of them would like to be movie stars, most will fail miserably. A huge factor in this is the discrepancy between race and representation in Hollywood.
Continue reading ““Stealing White Heroes” – The Ridiculous Triple Standard and Why Minority Heroes Matter”