A lot went wrong with Suicide Squad. Just from a technical perspective, it was a disaster. The editing was a mess, the script was shockingly poor, and even the action couldn’t save it because of how badly lit it was. The movie failed on almost every level, but even if all those areas were up to snuff, it still would have sucked because it fell through on the big things. Just speaking in terms of plot and the writing decisions that were made, Suicide Squad never stood a chance. Here are the 5 big reasons why.
The FX TV show The People v. O.J. Simpson argues that the O.J. Simpson trial basically predicted social discourse in America for the next 20 years. The painful, and often times confusing, intersectional conflicts between white people, black people, and the women that comprise half of both groups, all would come to define so much of what we’re so acutely aware of today. It was all there, clear as day, in what everyone was calling “The Trial of the Century” (a moniker that is looking less and less like hyperbole with each passing year). Today, we are seeing a storm on the same wavelength of that legendary trial heading towards the Oscars next year. Nate Parker’s The Birth of a Nation tells an important story about America’s dark history, but it also reclaims a meaningful title from the original 1915 Birth of a Nation, a racist propaganda film that also happens to be one of the most influential films ever created. The original Birth of a Nation was a technically incredible breakthrough in film making technique and directing, but it also happens to be a horribly bigoted story about how the KKK was really a heroic force in America. By all accounts, what Nate Parker is doing, especially in light of the Oscars controversy of this year, is a great thing on the surface, but since the universe is a random and cruel thing, Nate Parker – A black man who co-wrote, directed, and starred in a movie about the racial injustice of America’s past which includes his fictionalized wife being gang raped by white men, is himself an accused rapist (along with his black friend who he co-wrote the film with, making them alleged gang rapists) whose trial was an intensely harrowing experience for all parties involved, but mostly for the victim who eventually took her own life after its conclusion and Parker’s acquittal. Clearly, there’s a lot to talk about here.
Crazy Ex-Girlfriend is one of those rare shows where you actually feel like you take how good it is for granted. On top of being a genuinely great comedy-drama, it produces 2-3 original songs each episode as a bonus. They flow into the episode’s stories, they’re usually quite catchy, and always funny as hell. The dream of a comedy-musical as a TV series that so many of us had after watching “Once More With Feeling” on Buffy is here, and it’s beautiful. To honour it, and its upcoming second season (premiering this October), I’d like to list my eight favourite songs so far.
With the release of Warner Bros’ Suicide Squad , and the marketing focus on a huge part of people’s interest in the film, the Joker and Harley Quinn’s relationship, there’s been a wave of the exact same sentiment repeated ad nauseam on social media, that this relationship is toxic and should not be endorsed on any level. Going on any social media platform and searching the words “Joker and Harley” invites an avalanche of people lecturing no one in particular to “Stop shipping these 2! It’s abusive!” or some variation of “When I see a person who ships those 2 I think they are TERRIBLE and get MAD!”. The phrase “shipping” refers to basically anything having to do with wanting two people to be in a romantic relationship with each other, it usually refers more to potential couples rather than established ones, but it has evolved into being more of a nebulous term for fictional couples (and sometimes even celebrity ones). The Joker and Harley Quinn relationship has become a particular point of interest because it is not a healthy relationship, it is an abusive one between two very dangerous people. The knee jerk reaction becomes outright rejection of it among several circles of the internet, to the point of intolerance of anyone who enjoys watching them together. But it’s in that where people are overlooking what so many people liked about the pair in the first place.
BoJack Horseman‘s third season ended with one impression that was painfully clear to me: BoJack can’t believably maintain the relationships he does any longer. It’ll be hard for him to be buddy-buddy with Todd again after Todd unloaded on his entire life the way he did. He can’t be close to Princess Carolyn again after the way he harshly fired her in her moment of need. It’ll be tough to buy that he’s still keeping the same network of people now that he’s convinced he’s poison to everyone he comes in contact with. There’s also the fact that everyone else he knows is going to be occupied with their own all-consuming plots of their own that don’t connect to BoJack’s story in any way.