I’ve written before about how The Good Fight shares problems with The Good Wife, so I thought it’d be only fair if I went over its strengths, and since it’s me, I’ll also sprinkle in some criticisms here and there because every positive note to this show seems to be a double-edged sword if you analyze it as excessively as I do.
Continue reading “How The Good Fight Shares Strengths with The Good Wife”
Unsurprisingly to my most loyal blog followers, I watched The Good Fight‘s first season (the new spin-off series to The Good Wife) every week, and for the most part it was a very entertaining show. Unfortunately though, there was a creeping sense that disaster was just around the corner. The original Good Wife managed to be phenomenal for 5 seasons, and that’s truly impressive, but the problems that eventually overwhelmed it were always there, lurking in the background, festering. We tried to ignore them, we tried to write them off as growing pains but the same problems kept popping up until eventually, it was too late. Worryingly, I see them in The Good Fight too, perhaps not as pronounced as they were during the latter days of The Good Wife, but enough to have me worry.
Continue reading “How The Good Fight Shares Problems With The Good Wife”
An adaption of Agatha Christie’s masterpiece and perhaps the most famous murder mystery of all time: And Then There Were None.
I love murder mysteries. I love them in movies, I love them in books, I love them in videogames, but most of all, I love them in TV shows. I’m not talking about a simple case of the week, I’m talking about a single, significant case that permeates the season of a TV show and is given around a dozen or more episodes to develop and expand and twist and turn, all leading to the inevitable reveal of whodunit. A good season long murder mystery has led to some of the greatest TV seasons of all time, like with the first two seasons of Veronica Mars, a series I believe perfected the season long murder mystery arc. Nothing feels quite like the rush of putting together the clues and solving the case yourself, and seeing your suspicions confirmed in the electrifying murderer reveal, a moment that should always be a highlight of a show’s season. Unfortunately there are shows that don’t quite grasp this, that completely botch the killer reveal and leave you feeling deflated. Two recent shows that come to mind are Riverdale and Trial and Error. You may think, wait a minute, Trial and Error is a comedy, why does it matter if the killer reveal is good? Well, because revealing a murderer should be powerful no matter the circumstances. Murder, killing another member of your own species, is one of the most human things out there. You can draw so much emotion, and yes, even humour, from it. The taking of another life and why the mastermind of the crime chose to act the way they did should be explored on a character worthy of such exploration. Every murder is a story, and botching the murderer is like botching the protagonist. Since shows seem to be screwing this up recently, I’ve decided to write my own criteria for how to properly handle a murder mystery through the use of 5 important, absolutely correct, inarguable rules that without a doubt must be followed.
Continue reading “The 5 Rules to Murder Mystery Culprits”
The calm before the storm…
It’s been over two years since I’ve last written one of these joke analyses, but the… enormity of this one really grabbed my attention. Unlike the last joke where I discussed it in largely positive terms, I want to analyze how a joke can actually hurt a show. Because with this bit of comedy, Crazy Ex-Girlfriend basically ruined a main character within a single scene. Let me break it down.
Continue reading “Anatomy of a Joke: Nathaniel’s Disgusting Accident”
Crazy Ex-Girlfriend is one of those rare shows where you actually feel like you take how good it is for granted. On top of being a genuinely great comedy-drama, it produces 2-3 original songs each episode as a bonus. They flow into the episode’s stories, they’re usually quite catchy, and always funny as hell. The dream of a comedy-musical as a TV series that so many of us had after watching “Once More With Feeling” on Buffy is here, and it’s beautiful. To honour it, and its upcoming second season (premiering this October), I’d like to list my eight favourite songs so far.
Continue reading “Top Eight Crazy Ex-Girlfriend Songs”
While I discussed Person of Interest and tropes before in a more serious context, I originally announced my interest in the show on this blog through a post that poked fun at a lot of the goofy cliches that cropped up frequently in the show’s earlier seasons. Since the show is ending soon I thought it would be cool to talk about all the series’ own tropes and recurring elements on this blog. Some of them I wouldn’t trade for the world, others I could do without, all are funny in their own ways.
Continue reading “Person of Interest Recurring Tropes”
*This article contains spoilers of the latest Person of Interest episode “The Day The World Went Away”.
Continue reading “Person of Interest Is More Than The Sum Of Its Tropes”
I’ve always maintained that the greatest strength of iZombie is its stellar ensemble cast. Every individual main character on the show feels like they are strong enough on their own to maintain any story they find themselves in. They’re all very different people that happen to work very well together, but once they’re off doing their own thing I can’t help but think “Whoa, I would watch this show!”. Liv Moore is a great protagonist (with an appropriately punny name), but unlike creator Rob Thomas’ other famous heroine Veronica Mars, she isn’t her show’s greatest weapon. That distinction belongs to the cast itself, and this article is about how each of them are strong enough to helm their own TV spin-offs because of that strength. Here are five examples to illustrate what I’m talking about.
Continue reading “5 Different Shows That Could Spin-Off of iZombie”
When people reference shows starring (purposely written) horrible people, they inevitably bring up the Always Sunny in Philadelphia gang. The Reynolds family (along with Mac and Charlie), are self-centred, egotistical, and emotionally immature nuisances who often star in episodes where they take their unpleasantness into the outside world, damage the lives of the people they interact with, then get rejected and forced to find comfort in the awful safe-space that is the bar that they own. On Transparent, much of the same thing happens with the Pfeffermans, a family very much like the Reynolds, but with the only difference being that their awful actions have lasting negative repercussions on the people around them and themselves. While Almost Sunny operates on a cartoon logic of everything more or less reverting to how things were before by the start of the next episode, Transparent forces its narcissistic characters to sit with their bad decisions for the remainder of their sad and empty lives. The comedic fallout of their actions are so dark at times that it almost veers into dramatic territory, but the heightened nature of everything reminds the audience to laugh at what has transpired. It’s shocking how little punches this show pulls, even with its transgender star Maura Pfefferman, who also happens to be a mostly awful person. Much like Frank Reynolds on Always Sunny, much of her role seems to be as the one financing the bizarre behaviour her kids seem to get into, and the fact that the show can make us feel be both sympathetic and angry towards her is a grand feat. Once again like Frank, she has a kid that is an honest to God sociopath, but less in the popcultural serial killer sense and more in the toxic presence that routinely hurts those close to her. Ali, along with her two siblings Josh and Sarah, are really who are at the centre of the show despite it being ostensibly about Maura coming out as transgender. Those three siblings are the beating rotten heart of this show.
Continue reading “How Transparent is Like a Darker Always Sunny in Philadelphia”
The much beloved CBS drama The Good Wife ended yesterday, so I’ve decided to dedicate a brand new mind spill to this once great series. A lot has happened throughout the show, a lot happened in the finale, and now is the time to get some stuff off my chest to address them both.
Continue reading “Mind Spill: The Good Wife Edition”