A big change came to one of the main characters in the live action remake to Disney’s breakthrough animated feature, Beauty and the Beast. No, I’m not just talking about making LeFou gay, I’m also talking about making him “good” too. In the remake to the film, LeFou isn’t the soulless sycophant he is in the original, but rather a confused gay man with a crush on the wrong guy. While this is progress in terms of gay representation, I can’t help but feel like something was loss in the rehabilitation of one of Disney’s most subtly despicable bad guys.
Continue reading “What the Beauty and the Beast Remake Misses in Making LeFou Sympathetic”
Damn this film. I hate everything about it. The marketing, the plot, and yeah, the fact that it’s so damn manipulative. OK, I’m the first person to call out people for constantly whining about how everything is “fake” these days, and how consumerist society has become since those tend to be trite criticisms about things people don’t really examine, but boy does this movie make a damn good case for those people. It’s so god damned calculated and clearly designed to make money that it managed to anger me, and again, I’m not usually the kind of person who’d whine about that kind of thing. Almost every creative achievement ever was partly motivated by the thought of making some cash, but this movie is so freaking transparent about it. Maybe that’s what bothers me about it so much, that it’s so utterly graceless in what it’s trying to do.
Continue reading “SING has Turned Me Into an Angry Cynic”
I recently saw Moana, and surprise-surprise, it was great. I’m still torn on whether or not it was better than Frozen, but it was definitely a solid film with very little flaws. The thing is though, I’m not here to write a review on this film, I’m more here to discuss its villains. It had two, and only one of them was really a character in the sense that it had a personality and motivations. Right now I wanna talk Tamatoa, who was wonderfully voiced by Jemaine Clements, and what his role in the film was.
Continue reading “Moana and the Future of Disney Villains”
I see a lot of movies over my summers, and I want to make it a habit to write down my thoughts on them all when my summer is over. Well, it’s long after summer and I haven’t written anything in a while, the reason for this is simple: That I’m lazy and unmotivated even when it comes to things I enjoy doing. It’s time for me to turn a new leaf! I’ll start by finally writing this post about my thoughts on these movies, something anyone still reading this definitely cares about.
Continue reading “My Summer 2016 Movie Thoughts”
A lot went wrong with Suicide Squad. Just from a technical perspective, it was a disaster. The editing was a mess, the script was shockingly poor, and even the action couldn’t save it because of how badly lit it was. The movie failed on almost every level, but even if all those areas were up to snuff, it still would have sucked because it fell through on the big things. Just speaking in terms of plot and the writing decisions that were made, Suicide Squad never stood a chance. Here are the 5 big reasons why.
Continue reading “Five Big Reasons Suicide Squad Failed”
The FX TV show The People v. O.J. Simpson argues that the O.J. Simpson trial basically predicted social discourse in America for the next 20 years. The painful, and often times confusing, intersectional conflicts between white people, black people, and the women that comprise half of both groups, all would come to define so much of what we’re so acutely aware of today. It was all there, clear as day, in what everyone was calling “The Trial of the Century” (a moniker that is looking less and less like hyperbole with each passing year). Today, we are seeing a storm on the same wavelength of that legendary trial heading towards the Oscars next year. Nate Parker’s The Birth of a Nation tells an important story about America’s dark history, but it also reclaims a meaningful title from the original 1915 Birth of a Nation, a racist propaganda film that also happens to be one of the most influential films ever created. The original Birth of a Nation was a technically incredible breakthrough in film making technique and directing, but it also happens to be a horribly bigoted story about how the KKK was really a heroic force in America. By all accounts, what Nate Parker is doing, especially in light of the Oscars controversy of this year, is a great thing on the surface, but since the universe is a random and cruel thing, Nate Parker – A black man who co-wrote, directed, and starred in a movie about the racial injustice of America’s past which includes his fictionalized wife being gang raped by white men, is himself an accused rapist (along with his black friend who he co-wrote the film with, making them alleged gang rapists) whose trial was an intensely harrowing experience for all parties involved, but mostly for the victim who eventually took her own life after its conclusion and Parker’s acquittal. Clearly, there’s a lot to talk about here.
Continue reading “Birth of a Nation, Rape, the Oscars, and Why We Need to Stop Defending the Wrong Black Men”
Watching the original Ghostbusters and the remake back to back was an interesting experience. I was really mostly struck by how off my expectations were upon viewing the films themselves. The original sure as hell wasn’t the film I thought it was going to be, and Sony’s reboot defied both my expectations that were developed from the fan backlash and from the critics. Here are my observations of these movies.
Continue reading “I Just Watched Both the Original Ghostbusters and the Reboot for the First Time – Here are My Thoughts”
There are many, many reasons to dislike Zack Snyder’s awkwardly named Batman v. Superman: Dawn of Justice. A miscast villain here, a forced Justice League tie-in there, and a confused attempt to mash the stories of The Dark Knight Returns and The Death of Superman together ruin what should have been a slam-dunk of a movie. There are a ton of weird choices that went into making this the disaster that it is, but the most alarming to me has to be the way Batman was characterized in this film. Ben Affleck gave a fine performance as Batman, but the central issue with his character all comes back to his hotly debated “no killing rule” that gets more than a little bent in this film, and more critically, entirely ignored. Fans have debated whether or not Batman should even have such a rule for years, “The Rule” has served as a central plot point in both The Dark Knight and Under the Red Hood films, and Batman himself exists as likely the most iconic practitioner of this rule in fiction. My issue with Snyder’s Batman isn’t that he kills criminals (directly and indirectly) with sadistic glee, but that it happens without any discussion within the film for what that means for Batman. I know the last thing this film needs is more pseudo-philosophical drivel shakingly spoken by insecure meat heads, but in this case it’s kind of an important thing to get out of the way.
Continue reading “Batman v. Superman and Why Batman’s No Killing Rule Matters”
My 3rd VLog, I feel like I need to be doing these more consistently to get a real feel for them and actually improve…
Continue reading “VLog #3: Thoughts on #OscarsSoWhite”
That new Suicide Squad trailer sure was fun huh? It actually seems public opinion has shifted for this movie, although I was never really among the detractors. As a huge fan of the Joker, hearing he’d be played by Jared Leto perked my interest, and while his appearance doesn’t really fit the Clown Prince’s general style (the Joker of the comics and the animated series has always presented himself as a warped vision of a 1950’s dad), this Joker has potential. Based on the trailer, it seems like Leto is going with a bit of a cartoony lilt when voicing the character, which is very encouraging so far. The other character I’m concerned about of course is Harley Quinn (just like 90% of the people going out to watch this movie, I’m mostly in it for the Joker and Harley), and I’m pretty happy with what I’ve seen so far. I’ve always thought that Margot Robbie was great casting, and her performance alone seems fun and engaging. My only potential issue is her seemingly fluctuating accent, where she has none during the first half of the trailer, but has one on during the closing line. Seems like a nitpick, but inconsistent accents drive me nuts (looking at you Kalinda Sharma).
Continue reading “Suicide Squad Hopes and Dreams”