With a show with as many characters as Game of Thrones, it’s inevitable that a herd of stinkers would work their way into the fold. Although, it’s a bit misleading to outright say the show has a lot of outright bad characters, and that’s not exactly what this list is about. There are some interesting, well-acted characters on this list, but my criteria for what makes them the worst is how much they actively hurt the watching experience. It’s not just about sucking, it’s a combination of how much damage they do to the show, how much wasted potential they represent, and how outright annoying they are. It’ll make more sense as you read through, so here are Game of Thrones’ 10 worst characters.
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Game of Thrones is a show that’s famous for a lot of things, but one of them is its huge stable of characters. There are a ton of them and it was hard whittling them down enough to make a top ten list. My criteria for this list isn’t just who I personally like the most (because if it was, Walder Frey would slither his way into the mix), it’s also who I feel has the most depth, who’s most entertaining, and who is consistently compelling. That last part is important because if the show has any problems, it’s that it has a ton of storylines for a lot of the characters and much of the time, these characters spend a season or two being super boring. The very best characters on this show are interesting more often than they’re not, and when each of the principle characters are often doing wildly different things, that’s hard to maintain.
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It’s been a while since I’ve last done one of these, but it’s about time I start writing about some of the things on my mind these days. These Mind Spill articles, much like the current US government, is an assortment of losers in a way. They’re different ideas and thought trains that I think are interesting, but not quite so interesting that they deserve to be developed further into their own article. So here are some things I’ve been thinking about that you now know I believe aren’t worthy of more than a few seconds of your time.
Continue reading “Mind Spill: August 27th 2017” →
In the age of Trump, millennials, a generation raised by popular culture, have been looking to it to draw meaning and make sense of the world. Everything that happens these days is apparently just like that one moment from Harry Potter, every time someone gets fired it brings to mind a shocking character death on Game of Thrones, every government official is just like that villain from Star Wars; even that horrific Charlottesville march and the President’s equally horrific response to it reminded people of that one time this character did that thing in this book/movie/TV show. We can argue until we’re blue in the face about whether or not this is a dumb way to look at the world, but it’s the way things are now for a lot of people. As we begin to isolate ourselves through technology and media, those things become enormous influences to us. The irony is that pop culture has become less explicitly didactic, TV creators these days aren’t interested in teaching word for word blatant lessons of the day, and more writers are content with trusting audiences to figure things out for themselves. We have such a diverse group of people consuming media in these increasingly confusing times, and in a lot of cases, people are taking the wrong lessons.
Continue reading “Popular Culture Has a New Responsibility, Whether it Likes it or Not” →
I went to a club about a week ago, and it was an interesting experience. As one could probably tell from the quantity of Good Wife articles I’ve written on this site, I’ve never actually been to one before, and a lot of my preconceptions were blown away. For one thing, a club feels like a sad to place at its core. I don’t mean that it makes you sad or that I was sad being there, but it feels like a place who’s essence is based on something more depressing than the music suggests. Another thing I noticed is that it’s basically impossible to have a conversation because of how loud the music is. I mean, I knew it’d be loud, but I didn’t realized you literally had to scream into someone’s ear for them to know what you’re saying. Because of the noise, most communication is done through body language and gestures, and this is key because you can read a lot more from a person’s behaviour than you normally would in a setting where you’re distracted by what they’re saying. Finally, as a friend said to me, people there are mostly just there to bone, which really contributed to the depressing vibe of the place overall.
Continue reading “Love In This Club?” →
I’ve written before about how The Good Fight shares problems with The Good Wife, so I thought it’d be only fair if I went over its strengths, and since it’s me, I’ll also sprinkle in some criticisms here and there because every positive note to this show seems to be a double-edged sword if you analyze it as excessively as I do.
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Unsurprisingly to my most loyal blog followers, I watched The Good Fight‘s first season (the new spin-off series to The Good Wife) every week, and for the most part it was a very entertaining show. Unfortunately though, there was a creeping sense that disaster was just around the corner. The original Good Wife managed to be phenomenal for 5 seasons, and that’s truly impressive, but the problems that eventually overwhelmed it were always there, lurking in the background, festering. We tried to ignore them, we tried to write them off as growing pains but the same problems kept popping up until eventually, it was too late. Worryingly, I see them in The Good Fight too, perhaps not as pronounced as they were during the latter days of The Good Wife, but enough to have me worry.
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Two superhero movies were released last weekend. Wonder Woman, which I hear was amazing and I will definitely watch later, and Captain Underpants: The First Epic Movie, a movie based on the book series that first got me reading as a child. Since you can’t beat nostalgia, my brothers and I decided to watch our first favourite super hero adapted to the big screen, and boy was it a pleasant surprise. Charming animation, surprisingly great voice work (with Kevin Hart in particular giving a great performance), and one key element that actually elevates it above its source material: Empathy. This movie had a big heart, it reminded me of a time during my childhood when I actively tried to not think about other people’s, especially adult’s, feelings and then got confused when I was forced to confront them. This movie isn’t centred on that dynamic (it’s centred on the importance of friendship and creativity), but it addresses it in a way the original books never did.
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An adaption of Agatha Christie’s masterpiece and perhaps the most famous murder mystery of all time: And Then There Were None.
I love murder mysteries. I love them in movies, I love them in books, I love them in videogames, but most of all, I love them in TV shows. I’m not talking about a simple case of the week, I’m talking about a single, significant case that permeates the season of a TV show and is given around a dozen or more episodes to develop and expand and twist and turn, all leading to the inevitable reveal of whodunit. A good season long murder mystery has led to some of the greatest TV seasons of all time, like with the first two seasons of Veronica Mars, a series I believe perfected the season long murder mystery arc. Nothing feels quite like the rush of putting together the clues and solving the case yourself, and seeing your suspicions confirmed in the electrifying murderer reveal, a moment that should always be a highlight of a show’s season. Unfortunately there are shows that don’t quite grasp this, that completely botch the killer reveal and leave you feeling deflated. Two recent shows that come to mind are Riverdale and Trial and Error. You may think, wait a minute, Trial and Error is a comedy, why does it matter if the killer reveal is good? Well, because revealing a murderer should be powerful no matter the circumstances. Murder, killing another member of your own species, is one of the most human things out there. You can draw so much emotion, and yes, even humour, from it. The taking of another life and why the mastermind of the crime chose to act the way they did should be explored on a character worthy of such exploration. Every murder is a story, and botching the murderer is like botching the protagonist. Since shows seem to be screwing this up recently, I’ve decided to write my own criteria for how to properly handle a murder mystery through the use of 5 important, absolutely correct, inarguable rules that without a doubt must be followed.
Continue reading “The 5 Rules to Murder Mystery Culprits” →
Note: “Laptopstein” is the name of the engineer that created my laptop, my laptop should be referred to as Dr. Laptopstein’s Laptop.
The last update on my laptop was a joyous post of celebration. The one before, was a tragedy on the levels of King Lear and Oedipus Rex. Today, I give you an update that brings the status of my laptop in flux, that places its well being between my previous two updates. Between life and death, in the twilight of my triumph and ultimate despair. My laptop has died, but it continues to live. It is currently being torn apart at the seams, but I have found a way to suspend it in something of a stasis. By not closing it anymore, my laptop is no longer in a state of constant structural deterioration. But new problems arose before and after I finally made that decision.
Continue reading “Undead – Laptopstein: The Machine That Refused To Die – The Untold Story – A Canadian Horror Story” →