I love The Good Wife. It’s clever, bold, funny, and unbelievably resilient. I mention resilience because it’s what leads me to my conclusion that this show is the most impressive one on television. After just having its 6th season midseason-finale (where the show took another in a long line of enormous risks) while being well over 100 episodes old, I continue to be in awe of its ability to still be so damn good. Often being seen as a just another CBS procedural drama from those who don’t know any better, The Good Wife is head and shoulders above the rest of TV’s network dramas and is without a doubt on the level of prestige cable dramas such as Breaking Bad and Mad Men. The acting on all fronts is phenomenal, the scripts are fantastic, and mother of God is the satire on politics and the law on point. Perhaps cable dramas are more tightly written, with less plots being dropped or going undeveloped as they have on The Good Wife on occasion, but those shows don’t have to run for half as long as it does. The ability to churn out 22 quality episodes a year is remarkable on its own, but to be able to balance so many plots, character arcs, and themes just makes me want to scream out in empathy. “That’s just way too much work!” I want to say, but all that comes out is “thankyouthankyouthankyou!”, since this show ends up doing so much right.