To Kill or Not to Kill? – When Should A Show Kill Off Its Cast?

Death is meaningless. People can try to draw meaning from the end of a person’s life by doing something worthwhile afterwards, but the death itself means nothing. It is the ending of one’s life, either from what society would consider natural causes, or a random catastrophe that can come in the form of disease, nature, or a gun wielding maniac. Death is everywhere, and it’s always just something that happens to people, but when it is written about, suddenly things are very different. In real life, if it happens from something like cancer, it’s just a random stupid tragedy the universe doled out for no reason on someone that didn’t need to go, but when you write about death, it always has meaning, because whether you meant to or not, you wanted to convey something through your writing. You may have been trying to demonstrate that death itself has no meaning by writing a meaningless death, or maybe you just wanted to say something about the character that died in general, either way, death always means something when it’s written about. It’s almost a strategic tool writers have, because it can be used in a variety of ways, but I fear people may be missing that fact when they talk about it in Television.

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Cary Agos: The Important Client – The Good Wife Fanfiction

Cary Agos feels as though something is amiss. It’s not the usual weight he feels working at Lockhart, Agos, and Lee, but something feels different. Perhaps it’s not weight he feels, but more the opposite. He feels a certain lightness in his comings and goings. Seeing as he was just recently made partner, that lightness would be interpreted by some as a good thing. It wasn’t. Cary doesn’t feel grounded anymore, he feels like a man that is fading away, and it terrifies him.

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Theories On What Caused The Archie Panjabi and Julianna Margulies Feud

What happened?

Two of the main actors on The Good Wife were in a feud. There is no disputing that, whether you want to dodge the issue and be super condescending about it like the show’s creators (Robert and Michelle King) have, or straight up lie about it (and get subsequently exposed) like the show’s lead actress has, you have to accept the fact that something went down between Archie Panjabi and Julianna Margulies. The characters they played haven’t shared a scene with one another in over two seasons, and when Panjabi left the show, her last scene with Margulies (which is absolutely pivotal to her character arc) was done with green-screen trickery. I’ve covered it before, and I’ll say it again, the Kings have allowed their show to be dictated by a dispute between their actors, which is pretty pathetic on their part, but also leaves one to wonder what kind of catastrophic event caused such a mess in the first place. Just for fun, here are some of my speculations.

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Top Ten Best Veep Moments

Continuing the discussion of Veep from my last post, I started thinking about this show’s best moments. Even though one of the show’s selling points is its satire, it is most certainly isn’t its strength. While it can be amusing at times, it’s rarely ever nuanced or insightful, however, the show’s greatest strength is in its cast of characters. While its ensemble can feel overstuffed, the show’s core cast (and even some of its reoccurring players) are why this has become the hit it is on HBO. There are moments from the show when a character, even one that should be a minor player, surprises you in a way that makes you laugh or, surprisingly enough, feel. Here is a list of moments in Veep that I found to have been the most hilarious, heartfelt, or both.

VEEP SPOILERS TO FOLLOW!

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Veep Needs To Get its Kent Together

I recently watched HBO’s Veep, and for the most part I’d say it is a very enjoyable show, but its use of Gary Cole has been pretty lacking. For three of this show’s four seasons, Gary Cole plays the role of Kent Davidson, the ultra efficient and ultra impersonal senior strategist at the White House. Starting in season 2 as an antagonistic force for the titular Veep Selina Meyers, his debut episode showed actual hints at what he could bring to the ensemble, or more accurately, what he could bring out of the characters around him. These early hints of greatness however, have mostly gone untapped in the seasons that followed. This to me, is tragic, because Gary Cole is like a precious commodity, a natural resource that everyone needs in their lives, and one whose misuse should be greatly frowned upon.

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Batman: Endgame Review and Analysis

Batman: Endgame acts as a conclusion to the story Scott Snyder started with Batman: Death of the Family. Both stories centre around Batman and Joker’s relationship, and both stories focus on the love and hatred shared between these two. From the very beginning, these two stories seemed to have the goal of redefining comic book’s greatest rivalry, with many commenting that they have done exactly that. I would argue however, that these stories (with Endgame in particular) clarified aspects of the relationship between the Batman and the Joker that have always existed, but shown more effectively than ever before. Never have these dynamics been as well connected as they have been in these stories.

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“What Did Zoey Say?” Perfectly Encapsulates the Psychotic Nature of Teen Romance Dramas

Remember that show Zoey 101? It was a teen comedy starring a cast of quirky friends hanging out at an academy, hopping between campuses and getting into wacky hijinks. There was also a lot of relationship drama between the titular Zoey and her chump friend Chase. It was basically a college hangout show starring highschoolers targeted at tweens. It was fine for what it was, but it carries that distinct stench of tween-comedy hokeyness that’s difficult to ignore and even harder to shake after viewing. Nonetheless, something very peculiar happened with the show recently.

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Weirdest Character Ever: The Finger-Eating Demon

“Finger food?”

In the episode titled “Magic Bullet” from Angel, a demon played by Danny Woodburn makes an appearance. He’s short, green, and apparently, an executive at some company. He encounters Fred, who at this point is treated as a fugitive due to things that happened in the plot. She finds herself shacking up with this unlikely roommate in a cave somewhere and they eventually make a connection over their shared fates as fugitives. You’ve seen this set up a hundred times before, the lost girl and the curmudgeon-y odd ball forced together under extraordinary circumstances. At first they hate each other, then the lost girl warms to him when she realizes he isn’t threatening, and then the curmudgeon melts under her charms and grows to like her, although he has difficulty expressing his feelings. This set up is so obvious that the little demon himself even points out the trope in dialogue,

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The Oreo: Milk’s Favourite Cookie or an Abomination?

The answer is “abomination”, as the question itself implies. Cutting right to the chase here because this is a passionate issue for me, and Donald Trump’s denouncement of these “cookies” made this a relevant issue again. Obviously, Trump and I do not share the same reason for our displeasure with these snacks (knowing Trump, you can correctly assume his reasoning for hating them has something to do with his “Mexico is Bad” narrative), but the significance of this issue remains the same. Milk’s favourite cookie? Nah, more like the devil’s favourite nookie (my just now invented slang for sexual partner).

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