A lot went wrong with Suicide Squad. Just from a technical perspective, it was a disaster. The editing was a mess, the script was shockingly poor, and even the action couldn’t save it because of how badly lit it was. The movie failed on almost every level, but even if all those areas were up to snuff, it still would have sucked because it fell through on the big things. Just speaking in terms of plot and the writing decisions that were made, Suicide Squad never stood a chance. Here are the 5 big reasons why.
The FX TV show The People v. O.J. Simpson argues that the O.J. Simpson trial basically predicted social discourse in America for the next 20 years. The painful, and often times confusing, intersectional conflicts between white people, black people, and the women that comprise half of both groups, all would come to define so much of what we’re so acutely aware of today. It was all there, clear as day, in what everyone was calling “The Trial of the Century” (a moniker that is looking less and less like hyperbole with each passing year). Today, we are seeing a storm on the same wavelength of that legendary trial heading towards the Oscars next year. Nate Parker’s The Birth of a Nation tells an important story about America’s dark history, but it also reclaims a meaningful title from the original 1915 Birth of a Nation, a racist propaganda film that also happens to be one of the most influential films ever created. The original Birth of a Nation was a technically incredible breakthrough in film making technique and directing, but it also happens to be a horribly bigoted story about how the KKK was really a heroic force in America. By all accounts, what Nate Parker is doing, especially in light of the Oscars controversy of this year, is a great thing on the surface, but since the universe is a random and cruel thing, Nate Parker – A black man who co-wrote, directed, and starred in a movie about the racial injustice of America’s past which includes his fictionalized wife being gang raped by white men, is himself an accused rapist (along with his black friend who he co-wrote the film with, making them alleged gang rapists) whose trial was an intensely harrowing experience for all parties involved, but mostly for the victim who eventually took her own life after its conclusion and Parker’s acquittal. Clearly, there’s a lot to talk about here.
Crazy Ex-Girlfriend is one of those rare shows where you actually feel like you take how good it is for granted. On top of being a genuinely great comedy-drama, it produces 2-3 original songs each episode as a bonus. They flow into the episode’s stories, they’re usually quite catchy, and always funny as hell. The dream of a comedy-musical as a TV series that so many of us had after watching “Once More With Feeling” on Buffy is here, and it’s beautiful. To honour it, and its upcoming second season (premiering this October), I’d like to list my eight favourite songs so far.
With the release of Warner Bros’ Suicide Squad , and the marketing focus on a huge part of people’s interest in the film, the Joker and Harley Quinn’s relationship, there’s been a wave of the exact same sentiment repeated ad nauseam on social media, that this relationship is toxic and should not be endorsed on any level. Going on any social media platform and searching the words “Joker and Harley” invites an avalanche of people lecturing no one in particular to “Stop shipping these 2! It’s abusive!” or some variation of “When I see a person who ships those 2 I think they are TERRIBLE and get MAD!”. The phrase “shipping” refers to basically anything having to do with wanting two people to be in a romantic relationship with each other, it usually refers more to potential couples rather than established ones, but it has evolved into being more of a nebulous term for fictional couples (and sometimes even celebrity ones). The Joker and Harley Quinn relationship has become a particular point of interest because it is not a healthy relationship, it is an abusive one between two very dangerous people. The knee jerk reaction becomes outright rejection of it among several circles of the internet, to the point of intolerance of anyone who enjoys watching them together. But it’s in that where people are overlooking what so many people liked about the pair in the first place.
BoJack Horseman‘s third season ended with one impression that was painfully clear to me: BoJack can’t believably maintain the relationships he does any longer. It’ll be hard for him to be buddy-buddy with Todd again after Todd unloaded on his entire life the way he did. He can’t be close to Princess Carolyn again after the way he harshly fired her in her moment of need. It’ll be tough to buy that he’s still keeping the same network of people now that he’s convinced he’s poison to everyone he comes in contact with. There’s also the fact that everyone else he knows is going to be occupied with their own all-consuming plots of their own that don’t connect to BoJack’s story in any way.
Watching the original Ghostbusters and the remake back to back was an interesting experience. I was really mostly struck by how off my expectations were upon viewing the films themselves. The original sure as hell wasn’t the film I thought it was going to be, and Sony’s reboot defied both my expectations that were developed from the fan backlash and from the critics. Here are my observations of these movies.
Street Fighter V‘s much anticipated story mode (“A Shadow Falls”) released over a week ago, and my impressions can be summed up as “Too much story, not enough time”. There were so many interesting story threads and themes explored in the prologues that very little of them really had any time to breathe in the main story. What I loved about the prologue system is that it introduced what every character “wants” as a way of setting the stage for a larger intersecting story. This is a huge deal to me because “wants” are the bare minimum one must have for characters in a story for it to be even remotely good, and you would be absolutely shocked to find out how often stories have lead characters who don’t really “want” anything in particular. For the most part, this game’s story avoids those pitfalls but falls into a few of its own due to its very nature. Street Fighter has a pretty large cast of characters, and the question of who to focus on becomes the chief determinant towards whether or not a story is a good one. This game tackles that issue to mixed results.
Here’s an interesting fact about the DC universe that you may not know: It features not one, not two, but three prominent super intelligent Gorilla villains in its universe. I have no idea why this is the case, but I’ve always thought it was interesting. Another weird aspect of this is how different they all are. Ya, they’re all evil genius gorillas obviously, but their inceptions and backstories are very distinct. These 3 apes all developed independently of each other from different writers, which makes it extra strange that separate DC writers kept going to this “brilliant ape” well. Gorilla Grodd, Monsieur Mallah and the Ultra-Humanite are big hairy apes who can kill you with their bare hands or some elaborate death trap. Here’s some basic things about them.
With Balrog finally shown off and announced for release this Friday in Street Fighter V, the game’s antagonists who are part of an evil organization known as Shadaloo, have all been assembled. This is important because the story mode is also set for release on Friday, and according to previous interviews, the story will be about the fall of Shadaloo, bridging the gap between Street Fighter 4 and Street Fighter 3 (the series has an odd chronology). The story will place a huge emphasis on Shadaloo and its operatives and their varying goals, and I bet that its quality will live or die on what it does with them alone. Essentially, M. Bison, F.A.N.G, Vega, and Balrog are who the fate of this game’s story hinge on. Based on the prologues and the story previews we have seen so far, all these characters have arcs with personal stakes, but most importantly, they’re fun and interesting to watch. Before the story mode is actually released, I thought it’d be fun if I gave a bit of a run down on who these men are and what sort of role they can play in the story.
While I discussed Person of Interest and tropes before in a more serious context, I originally announced my interest in the show on this blog through a post that poked fun at a lot of the goofy cliches that cropped up frequently in the show’s earlier seasons. Since the show is ending soon I thought it would be cool to talk about all the series’ own tropes and recurring elements on this blog. Some of them I wouldn’t trade for the world, others I could do without, all are funny in their own ways.