
The 2004-2011 HBO show Entourage and its recent movie release are fascinating. This is an example of a television dinosaur revived into an era it no longer has a place in. Truly a relic of another age, it’s interesting how this movie shows how much our sensibilities have changed in the last four years. A show that so many unquestionably adored or dismissed as just dumb fun is now being derided by many as toxic.There are a number of reasons for this change in attitude towards it, but I’d wager it has a lot to do with our perceptions on the reality of the world of Entourage. The idea of a bunch of rich white dudes being awful and constantly screwing up but facing almost no repercussions for their behaviour and having everything go their way in the end has become too eerily close to reality. At a time where white and male privilege has fully entered our public consciousness, the existence of something like Entourage seems tone deaf. The problem being in the way the show and movie chooses to confront these “bros”.
Continue reading “Entourage – Existing in the Wrong Place at the Wrong Time”







Wearing a bright pink shirt, a long jacket, a bag slung over her shoulder, and a hand in her pocket; this is definitely one mysterious figure. We don’t know much about her other than the fact that she mostly keeps to herself and is apparently psychic, but Evelyn of the “Wedding Objections” Saturday Night Live sketch certainly leaves an impression. Suddenly appearing in the middle of a sketch revolving around the union of a black WNBA athlete and a very British Martin Freeman, Evelyn offers her own objections to what is occurring. The humour of the sketch comes from the fact that virtually all of the bride and groom’s friends and family have major objections to the marriage taking place that come from a place of reason rather than racial tensions, but Evelyn is different. We don’t know why she’s there at all and we never find out what her exact problem with the couple. Everything we do know can be surmised in her opening line. 